
Flashback to September 10, 2001. It's 9pm and I'm at the Santa Maria Novella station in Florence, waiting for a train that will travel all night to Berlin. I get off the train at Bahnhof Zoo at 5pm on September 11 and I see hundreds of people staring at the television screens. The Twin Towers are burning, people around me are shouting in German, and the only word I can register is "terroristen". A couple of hours later, I'm standing at the Parkbühne Wuhlheide with my friends Jan, Raúl, and Tatiana, listening to a very angry Thom Yorke singing "Come on, come on, Holy Roman Empire". The metaphor is too fitting. "Come on if you think, come on if you think, you can take us all." (This historic concert is now the I Might Be Wrong: live recordings.)
Fast forward to Florence, July 9, 2003. I'm at the Piazzale Michelangelo with Jessica, Aranzazú, and Andrés, desperately trying to find a scalper. Outside the concert fence there is a mass of ticketless fans trying to catch a glimpse of the stage by standing on top of cars and trashcans. We roam around the entrance like blood thirsty predators, until the music begins, forcing us to sit outside in resignation. The sense of community is unavoidable in this large group of outcasts, as we all tap our feet and quietly murmur the lyrics of the show we can't see. Thom is almost cruel when he says "There's a gap in between...where I end and you begin."
Then it's August 19, 2008. I cross the street from my apartment in Vancouver and arrive at Thunderbird Stadium with Pablo and Ignacio. A perfect new album and a great venue promise a perfect show. But the sudden combination of rain and an imperfect crowd make it all uncomfortable. O, wilt thou leave me so unsatisfied?
Not for long.
It's March 14, 2009. I arrive unannounced at my father's 60th birthday party in Mexico City and my sister informs me that, by mere chance, Radiohead is playing this weekend. My heart leaps out of its chamber as I work through my phone list to get tickets (gracias Diana, gracias Pablo). Twenty-four hours later, I'm standing at the Foro Sol, listening to the opening beats of 15 Step and shouting at the top of my lungs. The concert is insuperable, the setlist tailored to perfection. A day later I'm at the exact same spot, next to the central console, listening in disbelief to How to Disappear Completely. I suddenly realize that after two years of living in Vancouver, I forgot what it's like to experience a concert in a Mexico City crowd. The amount of passion, the noise, the warmth are unexplainable... DF, "You're all I need, you're all I need".
As I grab yet another tissue and blow my nose, I stop and remember the weekend. I close my eyes to relive the euphoria, the shouts and chants coming out of 55,000 voices. My cough interrupts the memory of the bright led tubes just as the last notes of Videotape echo from my ongoing playlist. It suddenly hits me that I will never listen to this (or any) song in the same way.